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Voicing Silence 5

(To get a background to this series of posts, I suggest you read the first one here, the second one herethe third one here and the fourth here)

For years I had been wondering how to articulate my trauma. And then, a little while after I'd moved to the UK, I'd done courses in documentary film-making and had started telling factual stories. Could there be a possibility there? What purpose would retelling a personal story in all its gory detail serve? And is this what I wanted?

In 2013 I watched Yael Farber's Nirbhaya in Edinburgh to an auditorium full of sobbing men and women. I found its portrayal in all its attendant specifics and bit too real. Even the actors playing it had each suffered horrific abuse and it was their own story that was being told. It was discomfiting and I knew I didn't want to go down that route.

With Leslie Udwin
A year or so later, I met with Leslie Udwin, director of the documentary India's Daughter, the day
after it had been banned in India. Leslie was deeply upset about the ban and couldn't understand the reason for it. I however, only got it too well. We would much rather look away and will it to go away than be confronted with its dark underbelly of entrails.

So what do I do with my experience? It had been playing in endless loops in my head and I wanted to share it with others. And the answer was hiding in plain sight.

With Lucy Lee and our respective boys
I had known Lucy Lee for well over a decade and we had worked on a few projects together. Our kids - her first and my second - were born within months of each other and we compared notes on motherhood frequently. For a while, Lucy would bring her newborn to mine on Tuesdays and we'd spend the day listening to talks, discussing pressing issues and setting the world to right.

Lucy also happens to be a talented animator who graduated from the National Film & TV School which is widely regarded as one of the best film schools in the world.

So I decided I would commission Lucy to do an animated short documentary of my experience. After all, as Lucy would often point out, the advantage with animation is that it is the medium of metaphor. You could say a lot without showing anything literal and letting the audience fill in the gaps. I sounded her out and she was delighted to be asked and we set to work straightaway.

There was only one issue. How do I communicate the world I grew up in - its sights and sounds and smells - to someone who has never been to that part of the world?

(This is a series of every day posts which will culminate in publishing an animated short film Voicing Silence that I commissioned and helped create documenting the sexual assault that happened to me as a 10 year old).

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Guest blog by Chinna Ammani

Here’s an interesting write-up by Chinna Ammani on stereotypical portrayals in Indian adverts. The opinion expressed is strong and the language uncompromising. Read at your own peril!-a

The Aiyaiyo Syndrome

These days I do what is called as a shooting supervision. When ads are filmed (with lip sync) in Tamizh, my job is to teach models their lines and rehearse with them. Most of them are from Mumbai and are non-Tamilians. So when they have to do a line in Tamil, for example "Adanaaladan Dettol ubayogikaren" (And that's why I use Dettol) , they invariably say "Aadanaladaanu naanu Detttaalu ubayogikkareanu" (Something hideous). Their exaggerated delivery of our supposed accent is all thanks to Hindi actor Mehmood. My blood pressure rises and I yell "DO NOT DO A MEHMOOD HERE. WE DO NOT SPEAK LIKE THAT".

Though their voice is dubbed later with a Tamil voice-over, I ensure that they pronounce it the non-Mehmood way. Mehmood has done this major damage to us So…

Bio-data

Married for 31 years, 2 months and 17 days
Six cups coffee a day, brewed everyday of marriage
Three meals a day,
At least two dishes cooked, each meal-time
One snack for every Sunday
Big basket of clothes ironed every Tuesday
Average 18 items of clothing washed per day
Three children
1 miscarriage
One mother-in-law suffered
900 sq metre of floor space mopped, once a day
One caesarean endured
3 chicken poxes, 2 measles, 2 fractures, 8 diarrhoeas, depression, conjunctivitis every summer, 1 tonsilitis and countless common colds and flues
1 job held for 29 years
6 hours slept every night
Sex tolerated every 2nd week
Religious rituals everyone of them, carried out
Not one of them, believed in
Lived 52 years and some
Died exhausted

Overheard, “At least she had the satisfaction of having lived for her family”


http://jikku.blogspot.com/2005/02/quick-tale-3.html#c111042815438237631

The Saturday Poem

Found this in yesterday's paper. Again, I wish I'd written it.

-a

Now and Then

"Now that I'm fifty-seven",
My mother used to say,
"Why should I waste a minute?
Why should I waste a day

Doing the things I ought to
Simply because I should?
Now that I'm fifty-seven
I'm done with that for good."

But now and then I'd catch her
Trapped in some thankless chore
Just as she might have been at
Fifty-three or fifty-four

And I would say to her
(And I have to bite my tongue)
That if you mean to learn a skill
It's well worth starting young

And so, to make sure I'm in time
For fifty, I've begun
To do exactly as I please
Now that I'm thirty-one.

-Sophie Hannah

Lost in Post

To a little boy

It cannot be easy being you. A follow-up act to your more devilishly charming, flamboyant older brother. Before you were born, I was convinced that no child could ever take the special place your brother had come to occupy in my life. I used to argue with your father you would always be a second-born. A runner-up. A bridesmaid (or a best-man, as you turned out to be). That you could never be the prized, cherished, celebrated apple of my eye that my firstborn child was. But how easily you tore down my flimsy little conviction. The minute I saw you, I knew I was gone. What was worse, I succumbed willingly.

My fears that you would be overshadowed by your brother have proven unfounded. Over the past year, you have come into your own as a person. Your brother demands and challenges our love and attention. You, on the other hand, are much more accepting of our distractions with him. It is almost as if you understand that he is used to being the star of the show for much of his…

I ask, you write

Okay, here's the idea. I ask you a question and you write a short story explaining it. Let me give you an example.

What happened when young Padmavathi was drawing water from the well to wash her clothes, early one Margazhi morning?

Annon's story

One morning when Padmavathi was drawing water from the well, she found Pettai Rowdy # 1 Govindarajulu inside the bucket! She dropped it at once and Govindarajulu went down and down and hit the bottom of the well with a Nung sound. His upper and lower teeth fused together and since then he has been fed intravenously. Pettai Rowdy # 2, Ragothaman Iyengar, who suggested this to Govindarajulu, now rules the roost.

After marrying Padmavathi, he is inviting all of you to a water drawing ceremony at the new well they dug in their house.

Jai Ragothaman Iyengar! Jai Padmavathi! Come one, Come all!

-

Here's a question for you.

What happened that made young Meenakshi change her mind about the parrot green saree she had originally chosen and go for a …